Saturday, November 22, 2003

article Alert 

The following Telegraph piece is laden with rhetoric, but it's the right rhetoric. Nastyness isn't that nasty if it makes sense:
The fanatical Muslims despise America because it's all lapdancing and gay porn; the secular Europeans despise America because it's all born-again Christians hung up on abortion; the anti-Semites despise America because it's controlled by Jews. Too Jewish, too Christian, too Godless, America is also too isolationist, except when it's too imperialist. And even its imperialism is too vulgar and arriviste to appeal to real imperialists: let's face it, the ghastly Yanks never stick it to the fuzzy-wuzzy with the dash and élan of the Bengal Lancers, which appears to be the principal complaint of Sir Max Hastings and his ilk. To the mullahs, America is the Great Satan, a wily seducer; to the Gaullists, America is the Great Cretin, a culture so self-evidently moronic that only stump-toothed inbred Appalachian lardbutts could possibly fall for it. American popular culture is utterly worthless, except when one of its proponents - Michael Moore, Sean Penn, Susan Sarandon - attacks Bush, in which case he or she is showered with European awards and sees the foreign-language rights for his latest tract sell for six figures at Frankfurt. The fact that the best-selling anti-Americans are themselves American - Moore, Chomsky - is perhaps the cruellest manifestation of the suffocating grip of the hyperpower.

Too Christian, too Godless, too isolationist, too imperialist, too seductive, too cretinous, America is George Orwell's Room 101: whatever your bugbear, you will find it therein - for the Continentals, excessive religiosity; for the Muslims, excessive decadence; for Harold Pinter, excessively bleeding rectums.
Go read the whole thing for even better nuggets on the "anti-war" movement.
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